I'm a multi-disciplinary artist living and working in Brooklyn. Posting what I make and what I see. Also: manbartlett.com

 

Adrián Villar Rojas @MoMAPS1 #EXPO1

Adrián Villar Rojas @MoMAPS1 #EXPO1

Your Waste of Time | Olafur Eliasson @ PS1 for #EXPO1

Your Waste of Time | Olafur Eliasson @ PS1 for #EXPO1

Looking up a Sol LeWitt at Brooklyn Museum. The older I get the more I like these…

Looking up a Sol LeWitt at Brooklyn Museum. The older I get the more I like these…

John Baldessari
Millenium Piece (with Pink Cup), 1999
via

John Baldessari

Millenium Piece (with Pink Cup), 1999

via

Rutherford Chang, We Buy White Albums
~700 copies of the Beatles’ eponymous album. 
Um, awesome.
via Hyperallergic

Rutherford Chang, We Buy White Albums

~700 copies of the Beatles’ eponymous album. 

Um, awesome.

via Hyperallergic

wildcat2030:

These 3-D Portraits Were Created Using Only A Person’s DNA

Stranger Visions is an art project which tries to determine what we look like based on a single strand of hair.

How much information about ourselves do we leave behind in public, as we shed saliva, hair, and sweat throughout the day? It’s a question that drives the artwork of Heather Dewey-Hagborg, whose project Stranger Visions reconstructs the faces of the anonymous as 3-D printed sculptures, using genetic detritus found in chewing gum, cigarette butts, and wads of hair around New York City. (via 7 | These 3-D Portraits Were Created Using Only A Person’s DNA | Co.Exist: World changing ideas and innovation)

Just heard Heather talk about this project a few weeks ago. So good. And creepy.

auxiliaryprojects:

Adam Thompson “Untitled, 8.5” x 11”, pencil on paper, $200 

“From the Desk of Adam Thompson,” opens this Friday in Bushwick. Sounds/looks rad. Affordable to boot. I especially love these descriptions of the drawings included in the press release: “…[A]n airplane has no wings, a genie’s lamp dreams of a genie’s lamp, a coffin has a disturbing EKG readout, a page of writing features lines of illegible text-like marks, helium balloons float their way up through doorways in the ceiling, a glob of pills gets stuck on its way down a throat.”

auxiliaryprojects:

Adam Thompson “Untitled, 8.5” x 11”, pencil on paper, $200 

“From the Desk of Adam Thompson,” opens this Friday in Bushwick. Sounds/looks rad. Affordable to boot. I especially love these descriptions of the drawings included in the press release: “…[A]n airplane has no wings, a genie’s lamp dreams of a genie’s lamp, a coffin has a disturbing EKG readout, a page of writing features lines of illegible text-like marks, helium balloons float their way up through doorways in the ceiling, a glob of pills gets stuck on its way down a throat.”

untitledprojects:

Untitled Project: MIXTAPESWAP
oil on carved wood, dimensions variable, 2003

<3 conrad bakker!

highlineart:

DOCUMENT THE BLPS AND WIN!

In celebration of Richard Artschwager’s blp installation, High Line Art, the Whitney Museum, and The Standard, New York, invite you to participate in the collective documentation of the project.

Through February 3rd, take photos of blps you encounter along the High Line and on the Whitney’s building uptown, and email them to blps@standardhotel.com. Randomly selected submissions will be posted to High Line Art’s Tumblr and Facebook pages, the Whitney’s Tumblr and Facebook pages, and on StandardCulture.com.

Best of all, all participants will be entered into a drawing for the a chance to win a one-night stay at The Standard, a year-long Whitney Curate Your Own individual membership, a year-long “Spike” membership from Friends of the High Line, and a limited-edition High Line Art tote bag.

Download the complete contest rules and regulations.

Oh this is way more fun than spotting the Gormleys in Madison Square Park!

eec:

Roy Lichtenstein (1923-1997)Arctic Landscape1964Oil and Magna on plexiglass and wood, in the artist’s plexiglass frame25 x 31 x 3 ¼ in.

I always liked RL in this form&#8230;

eec:

Roy Lichtenstein (1923-1997)
Arctic Landscape
1964
Oil and Magna on plexiglass and wood, in the artist’s plexiglass frame
25 x 31 x 3 ¼ in.

I always liked RL in this form…