Artist. Thinker. Radical Seeker.
Posting what I make and what I see.

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For future trivia: I’m one degree from Kevin Bacon (we ate at the same restaurant tonight).

The Strange Tale of the North Pond Hermit →

Sometime in the 1990s, answered Knight, he passed a hiker while walking in the woods.

"What did you say?" asked Perkins-Vance.

"I said, ‘Hi,’ " Knight replied. Other than that single syllable, he insisted, he had not spoken with or touched another human being, until this night, for twenty-seven years.

(via digg)

How Facebook and Twitter control what you see about Ferguson →

invisiblelad:

Social media is controlled by algorithms – a mathematical formula that dictates what you see and when. In the past week, people have noticed something curious about the way these algorithms have filtered news about protests in Ferguson, Mo., over the fatal shooting of unarmed black teenager Michael Brown.

The fundamental differences between the two platforms help explain the disparity.

“Because of its brevity, and the ease with which updates can be shared, Twitter is a much more rapid-fire experience than Facebook, and that makes it well suited for quick blasts of information during a breaking-news event like Ferguson,” Mathew Ingram of Gigaom pointed out. The non-newsy content that clutters the platform also makes it ill-suited for following breaking news, he added.

Another huge difference? Algorithms. Your Twitter feed isn’t controlled by an algorithm. You see the tweets of people you follow in real time. But Facebook uses a complicated algorithm to determine what ends up in your news feed. They won’t reveal exactly how it works, but the company has said it ranks the content based in part on what you’ve liked, clicked or shared in the past.

Ars Technica’s Casey Johnson suggested Facebook’s algorithm also weeds out controversial content — racially charged protests, perhaps? — from users’ news feeds: “There is a reason that the content users see tends to be agreeable to a general audience: sites like [BuzzFeed, Elite Daily, Upworthy, and their ilk] are constantly honing their ability to surface stuff with universal appeal. Content that causes dissension and tension can provide short-term rewards to Facebook in the form of heated debates, but content that creates accord and harmony is what keeps people coming back.”
Johnson backed up her theory with a Georgia Institute of Technology study of how political content affects users’ perceptions of Facebook. She summed up the findings: “The study found that, because Facebook friend networks are often composed of ‘weak ties’ where the threshold for friending someone is low, users were often negatively surprised to see their acquaintances express political opinions different from their own. This felt alienating and, overall, made everyone less likely to speak up on political matters (and therefore, create content for Facebook).”

For University of North Carolina sociologist Zeynep Tufekci, this sort of “algorithmic filtering” is more than a matter of technical differences. Last Wednesday, when there was rioting in Ferguson and journalists were being arrested, the events in Ferguson unfolded in real time on her Twitter feed. But on Facebook, where she follows a similar composition of friends, posts about Ferguson didn’t appear in her feed until the next morning. “Would Ferguson be buried in algorithmic censorship?” she wrote on Medium..

If so, that’s bad. “How the internet is run, governed and filtered is a human rights issue,” she wrote.

(Source: Washington Post, via kenyatta)

wnyc:

"Yolo" was just added to the Oxford Dictionary. Blame this kid.
—Sean, sideshow

OHNO

wnyc:

"Yolo" was just added to the Oxford Dictionary. Blame this kid.

—Sean, sideshow

OHNO

Coded Memory: Breanne Trammell’s Twitter Diary - Women's Studio Workshop →

breannetrammell:

Lizz wrote about my most recent letterpress/twitter project, 86 BAD VIBES, an iteration of my past project TXTS IN THE AGE OF MECHANICAL REPRODUCTION!

Love this

Maybe We Shouldn't Be So Quick to Idolize a Gay-Bashing Skateboarder | VICE United States →

(Source: breannetrammell)

Just curious

theelectriclifesociety asked: Major cool points for using the word; "shenanigan" in your description. Now to peruse your blog!

I actually don’t remember using the word “shenanigan” but that definitely sounds like a word I would use. Thanks!

Anonymous asked: Post a selfie (is art)

Or

Last week for “The Object of an Act of Thought” at Bert Green Fine Art.

Photos by Nathan Keay

kenyatta:

"That would be fucking terrifying."

This. Many times over. This.

(Source: sandandglass)

museumuesum:

Ida Nordung
braiker:

trigonometry-is-my-bitch:

The Penrose Triangle

bee rigght baeck my brain si brokehn

jk no really

braiker:

trigonometry-is-my-bitch:

The Penrose Triangle

bee rigght baeck my brain si brokehn

jk no really

willbartlett:

thebobartlett:

in progress

Analog photoshop.

#familyreblog

willbartlett:

thebobartlett:

in progress

Analog photoshop.

#familyreblog

museumuesum:

Peter Fischli & David Weiss

The Equilibres

Outlaws, 1984, C-print, 13 x 9 1/4 inches

Afternoons Nap, 1986, gelatin silver print, 9 1/4 x 13 inches

Monument, 1984, C-print, 9 1/4 x 13 inches;

International Style, 1984, C-print, 13 x 9 1/4 inches

The Secret of the Pyramids, 1986, C-print, 13 x 9 1/4 inches

Honor, Courage, Confidence, 1984, gelatin silver print, 13 x 9 1/4 inches

As Far As It Goes, 1986, C-print, 13 3/4 x 10 1/4 inches

Quiet Afternoon, 1984, C-print, 13 x 9 1/4 inches

Ben Hur, 1984, gelatin silver print, 9 1/4 x 13 inches

Pretty sure I’ve reblogged this before but today is a new day

(via notational)